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The Empire State Building (Page 2)

By Jennifer Rosenberg, About.com Guide

Who Was Going to Build It?

Planning the tallest building in the world was only half the battle; they still had to build the towering structure and the quicker the better. For the sooner the building was completed, the sooner it could bring in income.

As part of their bid to get the job, builders Starrett Bros. & Eken told Raskob that they could get the job done in eighteen months. When asked during the interview how much equipment they had on hand, Paul Starrett replied, "Not a blankety blank [sic] thing. Not even a pick and shovel." Starrett was sure that other builders trying to get the job had assured Raskob and his partners that they had plenty of equipment and what they didn't have they would rent. Yet Starrett explained his statement: "Gentlemen, this building of yours is going to represent unusual problems. Ordinary building equipment won't be worth a damn on it. We'll buy new stuff, fitted for the job, and at the end sell it and credit you with the difference. That's what we do on every big project. It costs less than renting secondhand stuff, and it's more efficient."5 Their honesty, quality, and swiftness won them the bid.

With such an extremely tight schedule, Starrett Bros. & Eken started planning immediately. Over sixty different trades would need to be hired, supplies would need to be ordered (much of it to specifications because it was such a large job), and time needed to be minutely planned. The companies they hired had to be dependable and be able to follow through with quality work within the allotted timetable. The supplies had to be made at the plants with as little work as possible needed at the site. Time was scheduled so that each section of the building process overlapped - timing was essential. Not a minute, an hour, or a day was to be wasted.

Demolishing Glamor

The first section of the construction timetable was the demolition of the Waldorf-Astoria Hotel. When the public heard that the hotel was to be torn down, thousands of people sent requests for mementos from the building. One man from Iowa wrote asking for the Fifth Avenue side iron railing fence. A couple requested the key for the room they had occupied on their honeymoon. Others wanted the flagpole, the stained-glass windows, the fireplaces, light fixtures, bricks, etc. Hotel management held an auction for many items they thought might be wanted.6

The rest of the hotel was torn down, piece by piece. Though some of the materials were sold for reuse and others given away for kindling, the bulk of the debris was hauled to a dock, loaded onto barges, and then dumped fifteen miles into the Atlantic Ocean.

Even before the demolition of the Waldorf-Astoria was complete, excavation for the new building was begun. Two shifts of 300 men worked day and night to dig through the hard rock in order to make a foundation.

Raising the Steel Skeleton

The steel skeleton was built next, with work beginning on March 17, 1930. Two-hundred and ten steel columns made up the vertical frame. Twelve of these ran the entire height of the building (not including the mooring mast). Other sections ranged from six to eight stories in length. The steel girders could not be raised more than 30 stories at a time, so several large cranes (derricks) were used to pass the girders up to the higher floors.

Passersby would stop to gaze upward at the workers as they placed the girders together. Often, crowds formed to watch the work. Harold Butcher, a correspondent for London's Daily Herald described the workers as right there "in the flesh, outwardly prosaic, incredibly nonchalant, crawling, climbing, walking, swinging, swooping on gigantic steel frames."7

The riveters were just as fascinating to watch, if not more so. They worked in teams of four: the heater (passer), the catcher, the bucker-up, and the gunman. The heater placed about ten rivets into the fiery forge. Then once they were red-hot, he would use a pair of three-foot tongs to take out a rivet and toss it - often 50 to 75 feet - to the catcher. The catcher used an old paint can (some had started to use a new catching can made specifically for the purpose) to catch the still red-hot rivet. With the catcher's other hand, he would use tongs to remove the rivet from the can, knock it against a beam to remove any cinders, then place the rivet into one of the holes in a beam. The bucker-up would support the rivet while the gunman would hit the head of the rivet with a riveting hammer (powered by compressed air), shoving the rivet into the girder where it would fuse together. These men worked all the way from the bottom floor to the 102nd floor, over a thousand feet up.

When the workers finished placing the steel, a massive cheer rose up with hats waiving and a flag raised. The very last rivet was ceremoniously placed - it was solid gold.8

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